54 bars of 4/4 at 110 BPM, about 1:57 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 5, 7-9 and 11-12, and 5 more places -- 27.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 10 times: bars 6, 10, 13, 14, 15, 16 and 4 more.
58 bars across 8 sections: 36 keep time, 10 are fills and 7 are silent. The longest unbroken stretch of time is bars 45-54.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 69 out of 100; the rest of the number is everything around it.
54 bars, about 1:57 at the written tempo. The course breaks it into 24 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 6, 10, 13, 14, 15, 16 and 4 more.