137 bars of 4/4 at 147 BPM, about 3:44 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 43, 47-48 and 51, and 5 more places -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21 fills to learn, played 53 times: bars 7, 8, 9, 10, 11, 12 and 47 more.
17 more fills are written out on the fills page.
137 bars across 16 sections: 43 keep time, 53 are fills, 11 are stops and 8 are silent. The longest unbroken stretch of time is bars 16-20.
147 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
137 bars, about 3:44 at the written tempo. The course breaks it into 60 exercises over 17 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
21 fills to learn, played 53 times: bars 7, 8, 9, 10, 11, 12 and 47 more.