94 bars of 4/4 at 132 BPM, about 2:51 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-43, 45 and 84-86, and 1 more place -- 12% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 17 times: bars 16, 24, 25, 26, 27, 28 and 11 more.
6 more fills are written out on the fills page.
94 bars across 13 sections: 50 keep time, 17 are fills, 6 are stops and 11 are silent. The longest unbroken stretch of time is bars 8-15.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
94 bars, about 2:51 at the written tempo. The course breaks it into 40 exercises over 15 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 17 times: bars 16, 24, 25, 26, 27, 28 and 11 more.