61 bars of 4/4 at 120 BPM, about 2:02 of playing, on crash, hi-hat, snare, high tom, mid tom and kick.
The beat the song is built on is one bar, played through bars 10-16 and 26-32 -- 23% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 6 times: bars 9, 17, 33, 38, 53 and 61.
1 more fill is written out on the fills page.
61 bars across 5 sections: 51 keep time and 6 are fills. The longest unbroken stretch of time is bars 18-32.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
61 bars, about 2:02 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 6 times: bars 9, 17, 33, 38, 53 and 61.