79 bars of 4/4 at 130 BPM, about 2:26 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13, 15 and 33-37, and 2 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 10 times: bars 12, 63, 71, 73, 74, 75 and 4 more.
79 bars across 13 sections: 48 keep time, 10 are fills, 1 is a stop and 15 are silent. The longest unbroken stretch of time is bars 33-46.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 13 out of 100; the rest of the number is everything around it.
79 bars, about 2:26 at the written tempo. The course breaks it into 28 exercises over 7 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 10 times: bars 12, 63, 71, 73, 74, 75 and 4 more.