103 bars, 5:21, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom and kick and nothing else.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 3-10, kick and crashes through bars 11-12, silence through bars 13-14, hi-hat through bars 15-71, snare through bars 72-73 and silence through bars 74-76, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 15-22, 31-37 and 56-62, and 1 more place -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|9 fills to learn, played 14 times: bars 10, 24, 26, 46, 47, 49 and 8 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
103 bars, about 5:21 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
9 fills to learn, played 14 times: bars 10, 24, 26, 46, 47, 49 and 8 more.