103 bars, 5:21, at 75 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, mid tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 15-22, 31-37 and 56-62, and 1 more place -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
9 fills to learn, played 14 times: bars 10, 24, 26, 46, 47, 49 and 8 more.
6 more fills are written out on the fills page.
103 bars across 14 sections: 67 keep time, 15 are fills, 5 are stops and 7 are silent. The longest unbroken stretch of time is bars 15-22.
75 BPM, in 4/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
103 bars, about 5:21 at the written tempo. The course breaks it into 38 exercises over 11 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom and kick. Nothing in the part asks for anything else.
9 fills to learn, played 14 times: bars 10, 24, 26, 46, 47, 49 and 8 more.