130 bars of 4/4 at 120 BPM, about 4:19 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-24, 27-28 and 30, and 9 more places -- 21.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 23 times: bars 21, 45, 46, 47, 54, 69 and 17 more.
6 more fills are written out on the fills page.
130 bars across 12 sections: 69 keep time, 23 are fills, 7 are stops and 22 are silent. The longest unbroken stretch of time is bars 34-44.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
130 bars, about 4:19 at the written tempo. The course breaks it into 38 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 23 times: bars 21, 45, 46, 47, 54, 69 and 17 more.