115 bars of 4/4 at 135 BPM, about 3:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 11-21, 23-30 and 77-79, and 1 more place -- 24.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 19 times: bars 10, 22, 34, 48, 56, 57 and 13 more.
6 more fills are written out on the fills page.
115 bars across 16 sections: 78 keep time, 20 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 12-21.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 17 out of 100; the rest of the number is everything around it.
115 bars, about 3:20 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 19 times: bars 10, 22, 34, 48, 56, 57 and 13 more.