YOKO TAKAHASHI · DRUM BEAT

The drum beat in 魂のルフラン

The beat the song is built on is one bar, played through bars 25-29, 31-34 and 45, and 4 more places -- 24.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.

TEMPO
130 BPM
TIME
4/4
BARS
161
LENGTH
5:08
DIFFICULTY
75/100

The beat, written out

LOOP · 130 BPM
魂のルフラン · BAR 25

It is played on hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 72 out of 100 -- demanding -- and the thing that decides that is how many notes a second it asks for.

The whole song is 75 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.

How to get it under your hands

A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 72 BPM -- and adds the notes back over 5 rungs, each with a tempo to reach and a gate to pass before the next.

  1. Skeleton. Only the notes that land on a beat. The point is to feel where this bar stands.
  2. Kick and snare, whole. The feet and the snare exactly as written, hi-hat pulled back to quarter notes. This is the part to know by heart.
  3. As written. Open hi-hat, ghost notes, accents and the crash where they belong.

Tempo goes 72, 86, 101, 115 and 130 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.

PRACTISE THIS BEAT →

Questions

What drum beat does 魂のルフラン use?

A one-bar groove on hi-hat, snare and kick, in 4/4 at 130 BPM, counted in sixteenth notes. It is written out above, and it covers 24.8% of the bars the kit plays.

Where does the beat come in?

Bars 25-29, 31-34, 45 and 47-54, and 3 more places. The time is kept on the silence to start with, and it changes 4 times over the song.

Is the beat in 魂のルフラン hard?

72 out of 100 on its own -- demanding. The song as a whole is 75 out of 100: demanding, mostly on the independence between the hands and the feet.

READ OFF THE SCORE ITSELF · 161 BARS ANALYSED