160 bars of 4/4 at 120 BPM, about 6:22 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 33-35, and 5 more places -- 18.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 42 times: bars 8, 10, 11, 12, 13, 14 and 36 more.
7 more fills are written out on the fills page.
160 bars across 12 sections: 75 keep time, 42 are fills and 30 are silent. The longest unbroken stretch of time is bars 65-77.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 56 out of 100; the rest of the number is everything around it.
160 bars, about 6:22 at the written tempo. The course breaks it into 45 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 42 times: bars 8, 10, 11, 12, 13, 14 and 36 more.