90 bars of 4/4 at 130 BPM, about 2:46 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 17-20, 45-56 and 82-89 -- 30.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 7 times: bars 16, 27, 35, 36, 44, 60 and 1 more.
2 more fills are written out on the fills page.
90 bars across 10 sections: 57 keep time, 7 are fills, 7 are stops and 12 are silent. The longest unbroken stretch of time is bars 46-56.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
90 bars, about 2:46 at the written tempo. The course breaks it into 27 exercises over 7 sittings, about 27 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 16, 27, 35, 36, 44, 60 and 1 more.