60 bars of 4/4 at a walking 80 BPM, 3:00 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 23-29 and 48-54 -- 23.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 6 times: bars 22, 55, 56, 57, 58 and 59.
60 bars across 11 sections: 41 keep time, 6 are fills, 1 is a stop and 1 is silent. The longest unbroken stretch of time is bars 48-54.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
60 bars, about 3:00 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 6 times: bars 22, 55, 56, 57, 58 and 59.