113 bars of 4/4 at 144 BPM, about 3:08 of playing, on crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-32, 65-72 and 104 -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 6 times: bars 40, 48, 80, 88, 112 and 113.
113 bars across 13 sections: 88 keep time and 6 are fills. The longest unbroken stretch of time is bars 1-14.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
113 bars, about 3:08 at the written tempo. The course breaks it into 31 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 40, 48, 80, 88, 112 and 113.