139 bars of 4/4 at 123 BPM, about 4:31 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 12-29, 31-33 and 51-57, and 1 more place -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 8 times: bars 82, 86, 103, 104, 105, 106 and 2 more.
139 bars across 14 sections: 95 keep time, 8 are fills, 4 are stops and 17 are silent. The longest unbroken stretch of time is bars 11-38.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
139 bars, about 4:31 at the written tempo. The course breaks it into 36 exercises over 9 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 82, 86, 103, 104, 105, 106 and 2 more.