95 bars of 4/4 at 120 BPM, about 3:02 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 59-73 -- 16.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 3 times: bars 58, 82 and 94.
95 bars across 11 sections: 69 keep time, 3 are fills, 10 are stops and 2 are silent. The longest unbroken stretch of time is bars 60-73.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
95 bars, about 3:02 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 3 times: bars 58, 82 and 94.