98 bars of 4/4 at 130 BPM, about 3:01 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 9 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 13 times: bars 2, 3, 4, 5, 22, 30 and 7 more.
3 more fills are written out on the fills page.
98 bars across 12 sections: 42 keep time, 13 are fills, 25 are stops and 11 are silent. The longest unbroken stretch of time is bars 87-98.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 12 out of 100; the rest of the number is everything around it.
98 bars, about 3:01 at the written tempo. The course breaks it into 34 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 13 times: bars 2, 3, 4, 5, 22, 30 and 7 more.