99 bars of 4/4 at 117 BPM, about 3:23 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 31-33, 35 and 37, and 7 more places -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 32 times: bars 8, 9, 10, 16, 17, 18 and 26 more.
4 more fills are written out on the fills page.
99 bars across 12 sections: 48 keep time, 32 are fills, 1 is a stop and 7 are silent. The longest unbroken stretch of time is bars 63-69.
117 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
99 bars, about 3:23 at the written tempo. The course breaks it into 31 exercises over 9 sittings, about 25 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 32 times: bars 8, 9, 10, 16, 17, 18 and 26 more.