568 bars of 4/4 at 131 BPM, about 16:55 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 145-146, 148-150 and 152-153, and 5 more places -- 5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
46 fills to learn, played 97 times: bars 27, 28, 29, 30, 34, 38 and 91 more.
42 more fills are written out on the fills page.
568 bars across 49 sections: 250 keep time, 97 are fills, 23 are stops and 151 are silent. The longest unbroken stretch of time is bars 369-387.
131 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
568 bars, about 16:55 at the written tempo. The course breaks it into 156 exercises over 49 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
46 fills to learn, played 97 times: bars 27, 28, 29, 30, 34, 38 and 91 more.