114 bars of 4/4 at 128 BPM, about 3:34 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is one bar, played through bars 26-30, 36-40 and 62-64, and 3 more places -- 33.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 24, 32, 65, 97 and 98.
114 bars across 17 sections: 97 keep time, 5 are fills and 4 are silent. The longest unbroken stretch of time is bars 9-20.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
114 bars, about 3:34 at the written tempo. The course breaks it into 28 exercises over 9 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 5 times: bars 24, 32, 65, 97 and 98.