26 bars of 4/4 at 119 BPM, about 0:53 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 12, 16-17 and 19-21, and 1 more place -- 26.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 1, 2, 9, 10, 14 and 25.
1 more fill is written out on the fills page.
26 bars across 2 sections: 9 keep time, 6 are fills and 9 are stops. The longest unbroken stretch of time is bars 16-22.
119 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
26 bars, about 0:53 at the written tempo. The course breaks it into 13 exercises over 5 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 1, 2, 9, 10, 14 and 25.