110 bars of 4/4 at 125 BPM, about 3:31 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-24, 26-28 and 50-52, and 3 more places -- 17.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
14 fills to learn, played 27 times: bars 3, 4, 5, 9, 12, 13 and 21 more.
10 more fills are written out on the fills page.
110 bars across 13 sections: 45 keep time, 27 are fills, 20 are stops and 6 are silent. The longest unbroken stretch of time is bars 14-20.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
110 bars, about 3:31 at the written tempo. The course breaks it into 47 exercises over 16 sittings, about 24 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 3, 4, 5, 9, 12, 13 and 21 more.