99 bars of 4/4 at 140 BPM, about 2:50 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 2, 4 and 6, and 12 more places -- 16% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 27 times: bars 8, 13, 14, 17, 18, 21 and 21 more.
5 more fills are written out on the fills page.
99 bars across 10 sections: 49 keep time, 27 are fills, 5 are stops and 5 are silent. The longest unbroken stretch of time is bars 1-5.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 32 out of 100; the rest of the number is everything around it.
99 bars, about 2:50 at the written tempo. The course breaks it into 28 exercises over 8 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 27 times: bars 8, 13, 14, 17, 18, 21 and 21 more.