115 bars of 4/4 at a walking 86 BPM, 5:21 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-77, snare through bars 78-79, hi-hat through bars 80-109 and kick and crashes through bars 110-115.
The beat the song is built on is one bar, played through bars 42-44 and 46-65 -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
44
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x---x---x-x-|
BD |xx-x---x---x-x-x|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
115 bars, about 5:21 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.