115 bars of 4/4 at a walking 86 BPM, 5:21 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 42-44 and 46-65 -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
115 bars across 11 sections: 88 keep time, 8 are stops and 5 are silent. The longest unbroken stretch of time is bars 43-65.
86 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
115 bars, about 5:21 at the written tempo. The course breaks it into 34 exercises over 11 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.