98 bars of 3/4 -- not four -- at 76 BPM, 3:52 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 49-54, and 6 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 14 times: bars 16, 28, 36, 48, 60, 70 and 8 more.
3 more fills are written out on the fills page.
98 bars across 10 sections: 65 keep time, 14 are fills, 2 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-15.
76 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 25 out of 100; the rest of the number is everything around it.
98 bars, about 3:52 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 16, 28, 36, 48, 60, 70 and 8 more.