98 bars of 3/4 -- not four -- at 76 BPM, 3:52 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
59 out of 100, a step up from a first song, and the work is in how fine the subdivision is.
silence through bars 1-4, hi-hat through bars 5-23, snare through bars 24-31, hi-hat through bars 32-48, snare through bars 49-81 and toms through bars 82-83, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 25-27, 29-31 and 49-54, and 6 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
25
1.......2.......3.......
CC |x---g---g---x---g---g---|
SD |------------x-----------|
BD |x-------------------x---|7 fills to learn, played 14 times: bars 16, 28, 36, 48, 60, 70 and 8 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
76 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in how fine the subdivision is. The beat itself is 25 out of 100; the rest of the number is everything around it.
98 bars, about 3:52 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 16, 28, 36, 48, 60, 70 and 8 more.