145 bars of 4/4 at 146 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-32, ride through bars 33-36, hi-hat through bars 37-40, ride through bars 41-44, hi-hat through bars 45-64 and silence through bars 65-71, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 11 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----x-g-x-g-x-g-|
SD |----x----g--x---|
BD |x-x-------x-----|14 fills to learn, played 51 times: bars 4, 8, 12, 16, 20, 24 and 45 more.
It cuts the song into 52 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
145 bars, about 3:58 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 51 times: bars 4, 8, 12, 16, 20, 24 and 45 more.