145 bars of 4/4 at 146 BPM, about 3:58 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 1-3, 5-7 and 9-11, and 11 more places -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 fills to learn, played 51 times: bars 4, 8, 12, 16, 20, 24 and 45 more.
10 more fills are written out on the fills page.
145 bars across 15 sections: 71 keep time, 51 are fills, 4 are stops and 10 are silent. The longest unbroken stretch of time is bars 89-94.
146 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
145 bars, about 3:58 at the written tempo. The course breaks it into 52 exercises over 13 sittings, about 30 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 51 times: bars 4, 8, 12, 16, 20, 24 and 45 more.