329 bars of 4/4 at 140 BPM, about 9:23 of playing, on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 139-146, 150-156 and 161-167, and 1 more place -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 15 times: bars 4, 74, 127, 157, 223, 227 and 9 more.
3 more fills are written out on the fills page.
329 bars across 31 sections: 191 keep time, 15 are fills, 14 are stops and 93 are silent. The longest unbroken stretch of time is bars 172-192.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
329 bars, about 9:23 at the written tempo. The course breaks it into 51 exercises over 14 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 15 times: bars 4, 74, 127, 157, 223, 227 and 9 more.