189 bars of 4/4 at 120 BPM, about 6:18 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 34, 36 and 38, and 12 more places -- 8.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 24 times: bars 23, 24, 64, 67, 68, 78 and 18 more.
8 more fills are written out on the fills page.
189 bars across 13 sections: 128 keep time, 24 are fills, 16 are stops and 8 are silent. The longest unbroken stretch of time is bars 32-47.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
55 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
189 bars, about 6:18 at the written tempo. The course breaks it into 59 exercises over 16 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 24 times: bars 23, 24, 64, 67, 68, 78 and 18 more.