132 bars of 4/4 at 137 BPM, about 3:51 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-15, and 11 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 fills to learn, played 14 times: bars 24, 30, 54, 72, 76, 78 and 8 more.
6 more fills are written out on the fills page.
132 bars across 9 sections: 90 keep time, 14 are fills, 15 are stops and 3 are silent. The longest unbroken stretch of time is bars 31-53.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
132 bars, about 3:51 at the written tempo. The course breaks it into 34 exercises over 9 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 14 times: bars 24, 30, 54, 72, 76, 78 and 8 more.