126 bars of 4/4 at 132 BPM, about 3:49 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 25-29, 31 and 33-37, and 10 more places -- 29.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
6 fills to learn, played 7 times: bars 24, 32, 64, 72, 100, 108 and 1 more.
2 more fills are written out on the fills page.
126 bars across 13 sections: 74 keep time, 7 are fills, 22 are stops and 7 are silent. The longest unbroken stretch of time is bars 84-93.
132 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 39 out of 100; the rest of the number is everything around it.
126 bars, about 3:49 at the written tempo. The course breaks it into 40 exercises over 15 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 7 times: bars 24, 32, 64, 72, 100, 108 and 1 more.