160 bars of 4/4 at 116 BPM, about 5:31 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 54-65, 82 and 84, and 5 more places -- 22.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 11 times: bars 5, 21, 68, 69, 83, 89 and 5 more.
1 more fill is written out on the fills page.
160 bars across 14 sections: 103 keep time, 11 are fills, 24 are stops and 4 are silent. The longest unbroken stretch of time is bars 25-53.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 27 out of 100; the rest of the number is everything around it.
160 bars, about 5:31 at the written tempo. The course breaks it into 41 exercises over 10 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 11 times: bars 5, 21, 68, 69, 83, 89 and 5 more.