44 bars of 4/4 at 110 BPM, about 1:36 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-12 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
44 bars across 2 sections: 8 keep time, 32 are stops and 4 are silent. The longest unbroken stretch of time is bars 5-12.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
15 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 10 out of 100; the rest of the number is everything around it.
44 bars, about 1:36 at the written tempo. The course takes it in a single sitting of 3 exercises.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.