134 bars of 4/4 at 128 BPM, about 4:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 37-43, 45-51 and 78-84, and 1 more place -- 20.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 8 times: bars 5, 6, 7, 8, 116, 117 and 2 more.
134 bars across 8 sections: 105 keep time, 8 are fills and 8 are stops. The longest unbroken stretch of time is bars 17-34.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
134 bars, about 4:11 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 8 times: bars 5, 6, 7, 8, 116, 117 and 2 more.