222 bars of 3/4 -- not four -- at 177 BPM, 3:46 of playing on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-3, snare through bars 4-16, hi-hat through bars 17-32, snare through bars 33-40, hi-hat through bars 41-51 and snare through bars 52-72, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 14, 34 and 36, and 44 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52
1e+a2e+a3e+a
CC |x---x---x---|
SD |x-----x-----|
BD |----------x-|4 fills to learn, played 8 times: bars 16, 24, 32, 72, 80, 88 and 2 more.
It cuts the song into 35 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
177 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 9 out of 100; the rest of the number is everything around it.
222 bars, about 3:46 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 16, 24, 32, 72, 80, 88 and 2 more.