222 bars of 3/4 -- not four -- at 177 BPM, 3:46 of playing on crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 14, 34 and 36, and 44 more places -- 23.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 16, 24, 32, 72, 80, 88 and 2 more.
222 bars across 23 sections: 56 keep time, 8 are fills, 123 are stops and 21 are silent. The longest unbroken stretch of time is bars 193-201.
177 BPM, in 3/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 9 out of 100; the rest of the number is everything around it.
222 bars, about 3:46 at the written tempo. The course breaks it into 35 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 16, 24, 32, 72, 80, 88 and 2 more.