150 bars of 4/4 at 130 BPM, about 4:37 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 51-53, 55-56 and 91-93, and 3 more places -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20 fills to learn, played 47 times: bars 4, 5, 6, 7, 8, 10 and 41 more.
16 more fills are written out on the fills page.
150 bars across 22 sections: 69 keep time, 47 are fills, 9 are stops and 8 are silent. The longest unbroken stretch of time is bars 113-121.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
88 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 54 out of 100; the rest of the number is everything around it.
150 bars, about 4:37 at the written tempo. The course breaks it into 61 exercises over 20 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
20 fills to learn, played 47 times: bars 4, 5, 6, 7, 8, 10 and 41 more.