171 bars of 4/4 at 131 BPM, about 5:13 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 46-47, 49-51 and 53-55, and 14 more places -- 22.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 32 times: bars 16, 17, 18, 19, 20, 21 and 26 more.
4 more fills are written out on the fills page.
171 bars across 13 sections: 116 keep time, 32 are fills, 1 is a stop and 5 are silent. The longest unbroken stretch of time is bars 77-91.
131 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
54 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
171 bars, about 5:13 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 32 times: bars 16, 17, 18, 19, 20, 21 and 26 more.