220 bars of 4/4 at 120 BPM, about 7:11 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 13 more places -- 8.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
30 fills to learn, played 59 times: bars 17, 40, 41, 42, 44, 45 and 53 more.
27 more fills are written out on the fills page.
220 bars across 26 sections: 85 keep time, 59 are fills, 24 are stops and 32 are silent. The longest unbroken stretch of time is bars 18-24.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
85 out of 100. Hard, and what makes it hard is how many notes a second it asks for. The beat itself is 100 out of 100; the rest of the number is everything around it.
220 bars, about 7:11 at the written tempo. The course breaks it into 87 exercises over 29 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 59 times: bars 17, 40, 41, 42, 44, 45 and 53 more.