174 bars of 4/4 at 125 BPM, about 5:16 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 148-154, 156-158 and 160-161, and 1 more place -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
13 fills to learn, played 27 times: bars 3, 4, 15, 16, 17, 18 and 21 more.
9 more fills are written out on the fills page.
184 bars across 11 sections: 105 keep time, 27 are fills and 38 are stops. The longest unbroken stretch of time is bars 57-67.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 24 out of 100; the rest of the number is everything around it.
174 bars, about 5:16 at the written tempo. The course breaks it into 62 exercises over 21 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
13 fills to learn, played 27 times: bars 3, 4, 15, 16, 17, 18 and 21 more.