The beat the song is built on is one bar, played through bars 16-22, 24-30 and 77-82, and 3 more places -- 31% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
It is played on crash, hi-hat, snare and kick, counted in thirty-second notes. On its own it scores 46 out of 100 -- a step up -- and the thing that decides that is how many notes a second it asks for.
The whole song is 74 out of 100, so the beat is not the hard part: what costs you is everything around it, the joins and the fills.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 173 BPM -- and adds the notes back over 3 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 173, 201 and 230 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A one-bar groove on crash, hi-hat, snare and kick, in 4/4 at 230 BPM, counted in thirty-second notes. It is written out above, and it covers 31% of the bars the kit plays.
Bars 16-22, 24-30, 77-82 and 84-90, and 2 more places. The time is kept on the hi-hat to start with, and it changes 6 times over the song.
46 out of 100 on its own -- a step up. The song as a whole is 74 out of 100: demanding, mostly on how many notes a second it asks for.