233 bars of 4/4 at a walking 80 BPM, 10:52 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 48-50, 60-62 and 69-71, and 5 more places -- 10.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 41 times: bars 21, 43, 44, 45, 47, 51 and 35 more.
13 more fills are written out on the fills page.
254 bars across 28 sections: 157 keep time, 41 are fills, 11 are stops and 17 are silent. The longest unbroken stretch of time is bars 145-165.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 58 out of 100; the rest of the number is everything around it.
233 bars, about 10:52 at the written tempo. The course breaks it into 82 exercises over 27 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 41 times: bars 21, 43, 44, 45, 47, 51 and 35 more.