132 bars of 4/4 at 125 BPM, about 4:11 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 77-82 and 115-127 -- 14.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
12 fills to learn, played 27 times: bars 2, 4, 6, 20, 24, 28 and 21 more.
8 more fills are written out on the fills page.
132 bars across 15 sections: 76 keep time, 27 are fills and 10 are stops. The longest unbroken stretch of time is bars 115-127.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
132 bars, about 4:11 at the written tempo. The course breaks it into 57 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 27 times: bars 2, 4, 6, 20, 24, 28 and 21 more.