129 bars of 4/4 at 110 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-20, 22-24 and 26-28, and 10 more places -- 27.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 5 times: bars 25, 29, 101, 107 and 127.
129 bars across 12 sections: 77 keep time, 5 are fills, 32 are stops and 2 are silent. The longest unbroken stretch of time is bars 108-121.
110 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
129 bars, about 4:36 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 5 times: bars 25, 29, 101, 107 and 127.