70 bars of 4/4 at 112 BPM, about 2:30 of playing, on crash, hi-hat, snare, floor tom and kick.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, hi-hat through bars 9-16, toms through bars 17-18, hi-hat through bars 19-20, snare through bars 21-22 and hi-hat through bars 23-34, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 10, 12 and 14, and 12 more places -- 40% of every bar the kit plays. Learn that one and most of the song is already under your hands.
16
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-x-----|1 fill to learn, played 4 times: bars 17, 18, 35 and 36.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 29 out of 100; the rest of the number is everything around it.
70 bars, about 2:30 at the written tempo. The course breaks it into 13 exercises over 3 sittings, about 29 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
1 fill to learn, played 4 times: bars 17, 18, 35 and 36.