120 bars of 4/4 at 118 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 44, 49-51 and 53-55, and 1 more place -- 12.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 32 times: bars 13, 14, 15, 16, 17, 19 and 26 more.
5 more fills are written out on the fills page.
120 bars across 10 sections: 36 keep time, 32 are fills, 6 are stops and 40 are silent. The longest unbroken stretch of time is bars 104-111.
118 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
120 bars, about 4:04 at the written tempo. The course breaks it into 29 exercises over 9 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 32 times: bars 13, 14, 15, 16, 17, 19 and 26 more.