188 bars of 4/4 at 123 BPM, about 5:59 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 105-107, 109-115 and 117-123, and 1 more place -- 15.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
23 fills to learn, played 38 times: bars 20, 21, 23, 24, 34, 36 and 32 more.
21 more fills are written out on the fills page.
188 bars across 17 sections: 79 keep time, 38 are fills, 25 are stops and 32 are silent. The longest unbroken stretch of time is bars 109-115.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
188 bars, about 5:59 at the written tempo. The course breaks it into 59 exercises over 14 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
23 fills to learn, played 38 times: bars 20, 21, 23, 24, 34, 36 and 32 more.