The beat the song is built on is a 2-bar phrase, played through bars 10-16, 18-24 and 26-36, and 6 more places -- 71.2% of every bar the kit plays. Learn that one and the song is very nearly finished.
It is played on crash, hi-hat, snare and kick, counted in sixteenth notes. On its own it scores 67 out of 100 -- demanding -- and the thing that decides that is the speed of the hand keeping time.
The whole song is 65 out of 100, so the beat is most of what the song asks for. Get it clean and the rest follows.
A part this hard is not learned by playing it slowly and hoping. The room opens it on its simplest reduction -- the timekeeper alone, at 73 BPM -- and adds the notes back over 4 rungs, each with a tempo to reach and a gate to pass before the next.
Tempo goes 73, 86, 99 and 112 BPM, and the gate at each one is 8 loops in a row with no wrong note and no wobble in the time.
PRACTISE THIS BEAT →A 2-bar phrase on crash, hi-hat, snare and kick, in 4/4 at 112 BPM, counted in sixteenth notes. It is written out above, and it covers 71.2% of the bars the kit plays.
Bars 10-16, 18-24, 26-36 and 42-48, and 5 more places. The time is kept on the silence to start with, and it changes 7 times over the song.
67 out of 100 on its own -- demanding. The song as a whole is 65 out of 100: demanding, mostly on the independence between the hands and the feet.